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Mazourka-choro 2. Schottische-choro 3. Chorinho Petit Choro 4. Mazurka-choro 2. Schottisch-choro 3. Valsa-choro 4. Gavota-choro 5. Period Early 20th century Piece Style Early 20th century Instrumentation guitar Extra Information The form of this work as it is known today was developed around when Villa-Lobos decided to return to a project that he had worked on from to compile several pieces he had written earlier into a suite.
The original version from the s consisted of only four movements, while the one that was eventually published in contains the familiar five. The bulk of the differences between these versions can be summarized as follows: a Despite the composer's assertion of differing composition dates for the first two pieces, only the Mazurka-choro actually exists in what appears to be a preliminary version: a differing treatment of very similar material from called Simples see W It is doubtful whether he actually wrote the final version of the Mazurka-choro in ; it seems more likely that he wrote it in the course of his preparations for the publication of the work.
The latter piece was first published in , the same year it received its premiere performance. Suites ; For guitar ; Scores featuring the guitar ; For 1 player ; For piano arr ; For 1 player arr ; Scores featuring the piano arr. Contents 1 Performances 1. Performer Pages Luciano Tavares guitar.
Suite populaire brésilienne, No. 1: Mazurka-Choro - guitar
Suite populaire brésilienne, W020 (Villa-Lobos, Heitor)