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Salman Rushdie, The Satanic Verses
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Translation of "Les Versets sataniques" in English
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Manifestation contre Salman Rushdie en 1989
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Islam - musulman
This paper examines the last two texts so far published by Salman Rushdie from the angles of outrage and outrageousness. Although one is a novel for children and the other an autobiographical memoir, both books turn out to voice the same concerns and ideas, albeit in different modes. The paper first attempts to analyse how Rushdie defends his good faith and the literary worth of The Satanic Verses in Joseph Anton , as well as the provenance and nature of the attacks levelled at Rushdie from all sides of the political spectrum. Although the Iranians, in , finally stated that though they could not annul the fatwa they would not carry it out, his life is still potentially under threat, and Rushdie is still arch villain number 1: if the Danes decided to draw cartoons of the Prophet, of course it was his fault, because if he had been killed in time it would have dissuaded others from blasphemy, or so the Iranian worthies argued see Young. The Satanic Verses was deemed outrageously offensive, but the reactions of outrage to the novel became themselves outrageous, since its author was sentenced to death, without any semblance of a trial, by a foreign government. Thereafter Rushdie was caught in a kind of double bind: he felt the need to defend his novel and his ideas publicly, in essays and articles, but over the years commentators have tended to dissect and attack his public comments more than his books, and to consider him as a kind of political pawn rather than a writer. Indeed, like many good books for children, Luka is full of details aimed at the adult reader.