Jerrold Seigel, Eugene Lunn. Most users should sign in with their email address. If you originally registered with a username please use that to sign in. To purchase short term access, please sign in to your Oxford Academic account above. Don't already have an Oxford Academic account? Oxford University Press is a department of the University of Oxford.
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We could ask for no more reliable and judicious guide through the complicated debates generated by the struggle to define a viable Marxist aesthetics in the era of the avant-garde. Lukacs, Brecht, Benjamin and Adorno, four masters of the tradition of Marxist cultural theory and practice, are themselves well-served by a contemporary master of intellectual history.
Their debates and confrontations, both actual and implied, reveal many facets of the modernist movement, and of Marxism as it has developed in the twentieth century.
Lunn provides an excellent and valuable account of this important and compelling subject. His book is solidly informed, insightful, imaginative, and thought-provoking.
Even here, however, Lunn manages to compare each member of these two dyads with each of the others, so that a subtle, many sided discussion of contrasts and similarities results. All in all, this is an excellent work--to my mind the best condensed treatment of the confrontation between Marxism and modernism that exists in any language. Marxism and Modernism offers a splendidly well researched and amenable study of the most fertile developments in Marxist aesthetics.
Books Journals. Disciplines History European History. About the Book "At a time when modernism and Marxism are both under attack as outmoded, Eugene Lunn's rich and detailed study of the years of their most creative interaction reminds us of the still potent energies unleashed by each. Related Books.
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Marxism and Modernism
In stressing the many intellectual connections and interactions among his four critics, Lunn creates a sense of a vital German Marxist intellectual community. Du kanske gillar. Spara som favorit. Skickas inom vardagar.
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We could ask for no more reliable and judicious guide through the complicated debates generated by the struggle to define a viable Marxist aesthetics in the era of the avant-garde. Lukacs, Brecht, Benjamin and Adorno, four masters of the tradition of Marxist cultural theory and practice, are themselves well-served by a contemporary master of intellectual history. Their debates and confrontations, both actual and implied, reveal many facets of the modernist movement, and of Marxism as it has developed in the twentieth century. Lunn provides an excellent and valuable account of this important and compelling subject. His book is solidly informed, insightful, imaginative, and thought-provoking.
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