ASSUMPTA EST MARIA PALESTRINA PDF

Language: Latin Instruments: A cappella. Description: Two-part motet, the model for the parody mass of the same name. Original text and translations may be found at Assumpta est Maria and Quae est ista quae progreditur. To these are added the 2 lines starting "Gaudete…". Latin text. Assumpta est Maria in caelum, gaudent angeli, laudantes benedicunt Dominum.

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Language: Latin Instruments: A cappella. Description: Two-part motet, the model for the parody mass of the same name. Original text and translations may be found at Assumpta est Maria and Quae est ista quae progreditur. To these are added the 2 lines starting "Gaudete…". Latin text. Assumpta est Maria in caelum, gaudent angeli, laudantes benedicunt Dominum.

Gaudete et exsultate omnes recti corde. Quia hodie Maria virgo cum Christo regnat in aeternum. Quae est ista, quae progreditur quasi aurora consurgens, pulchra ut luna, electa ut sol, terribilis ut castrorum acies ordinata? English translation. Mary has been received into Heaven: the angels rejoice with praises and bless the Lord. Let all rejoice and be glad with righteous heart, for today the Virgin Mary reigns with Christ for evermore.

Who is she that cometh forth as the morning rising, fair as the moon, bright as the sun, terrible as an army set in array? Note-values halved. Midi files one for each part zipped. LilyPond 2. MusicXML source file s is are in compressed. To these are added the 2 lines starting "Gaudete…" Latin text Assumpta est Maria in caelum, gaudent angeli, laudantes benedicunt Dominum. Navigation menu Personal tools Log in Request account. Namespaces Page Discussion. Views Read View source View history.

Support CPDL. CPDL sponsor. CPDL affiliated site. This page was last edited on 25 March , at Web page content is available under the CPDL copyright license ; please see individual editions for their copyright terms. Privacy policy About ChoralWiki Disclaimers. Latin text Assumpta est Maria in caelum, gaudent angeli, laudantes benedicunt Dominum. English translation Mary has been received into Heaven: the angels rejoice with praises and bless the Lord.

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Missa Assumpta est Maria

This might be an important aspect in establishing the posthumous fame of these works but there also might be other reasons that influenced this which Philips overlooked. But why was that so… Palestrina was not simply writing this kind of music for his own achievements and, if one looks deep into Palestrinian music, nothing is done by mere simple coincidence. There is a discourse very well planned in each musical composition. The antiphon text in which the motet is based is specifically intended for the feast of the Assumption of Mary into heaven 15 August and it has a central intention of praising this.

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Assumpta est Maria a 6 (Giovanni Pierluigi da Palestrina)

One of Palestrina's last works, the Missa Assumpta est Maria bears witness to the full maturity and genius of the composer. The mass is of the 'paraphrase' type, meaning that a short phrase of plainsong such as a hymn or an antiphon from the Catholic Liturgy provides the melodic basis on which the work is constructed. Groups of notes called motifs are extracted from this melody and used at points of imitation throughout the mass. This one uses an antiphon written for the feast day of the Virgin Mary a so-called Marian antiphon. In addition, Palestrina introduces a little figure of five ascending notes which is used throughout the mass for a joyful decorative effect. The mass expresses the joy and vitality of a great festal day through exhuberant melodic lines rife with elaborate decorative elements. While resurrecting the clarity and balance which were hallmarks of his earlier works, Palestrina looks forward to the Baroque with an unusual attention to vertical sonority and an almost modern sense of major tonality.

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Missa Assumpta est Maria (Palestrina, Giovanni Pierluigi da)

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Missa Assumpta est Maria (Giovanni Pierluigi da Palestrina)

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